“Grit and Glass: Photographic Hygiene in an Era of Industry,” Transbordeur 8 (Winter 2024): 52-65.


(Feel free to contact me for a PDF)

“Feather War with the Camera: Women, Bird Protection, and the Films of Hermann Hähnle,” Wild-Tier-Fotografie: Ökologische, postkoloniale und ästhetische Perspektive, eds. Martin Bartelmus and Maurice Saß (Berlin: Springer Nature, 2024), 137-154. Co-Authored with Katharina Loew.


“Calico-Worlds: Weimar Set Photography and the Spectacle of Environmental Design,” Photographica 7 (Fall 2023): 16-35.


(Feel free to contact me for an English manuscript)

“The Air of Objectivity: Albert Renger-Patzsch and the Photography of Industry,” Representations 157 (Winter 2022): 90-114.

Awarded the 2023 Emerging Scholars Publication Prize by the Historians of German, Scandinavian, and Central European Art.


“Blue Like the Mediterranean: The Work of the Monochrome in the Atlas Group Archive,” Journal of Visual Culture 20, no. 2 (August 2021): 455-477.

Awarded the 2020 Early Career Researcher Prize by the International Association of Visual Culture and Journal of Visual Culture.