“The New Woman as Ethnographer: Lola Kreutzberg in the Dutch East Indies,” Feminist Media Histories 11, v. 2 (forthcoming in Spring 2025).
“Verre et poussière: l’hygiène photographique à l’ère industrielle,” Transbordeur 8 (Winter 2024): 52-65.
(Feel free to contact me for a PDF)
“Feather War with the Camera: Women, Bird Protection, and the Films of Hermann Hähnle,” Wild-Tier-Fotografie: Ökologische, postkoloniale und ästhetische Perspektive, eds. Martin Bartelmus and Maurice Saß (Berlin: Springer Nature, 2024), 137-154. Co-Authored with Katharina Loew.
“Calico-Worlds: Weimar Set Photography and the Spectacle of Environmental Design,” Photographica 7 (Fall 2023): 16-35.
(Feel free to contact me for an English manuscript)
“The Air of Objectivity: Albert Renger-Patzsch and the Photography of Industry,” Representations 157 (Winter 2022): 90-114.
Awarded the 2023 Emerging Scholars Publication Prize by the Historians of German, Scandinavian, and Central European Art.
“Blue Like the Mediterranean: The Work of the Monochrome in the Atlas Group Archive,” Journal of Visual Culture 20, no. 2 (August 2021): 455-477.
Awarded the 2020 Early Career Researcher Prize by the International Association of Visual Culture and Journal of Visual Culture.